Unit 1 单元话题阅读精练(阅读理解15篇 七选五5篇)(译林版2020)(必修第二册)(原卷版).docx
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1、Unit 1 Lights, camera, action!(译林版2020必修第二册)单元话题阅读精练(阅读理解15篇+七选五5篇). 阅读理解ATraveling between Earth and space in an elevator, moving Earth away from the sun with huge engines. If you have watched the sci-fi blockbuster The Wandering Earth II, you must have been wowed by these surprising technologies.
2、How far are these imaginative ideas from reality? Lets take a look.It was released on Jan. 22, the first day of Chinese New Year. The preparation, shooting and post-production lasted more than 1,400 days. It involved 5,310 conceptual-design drawings, more than 950,000 prop and costume items, and ove
3、r 4,000 visual-effects shots. Fortunately, it has scored big at the box office and aroused heated discussion on social media platforms, drawing attention to the technologies and stories behind the movie. It marks the entry of Chinese-style sci-fi movies to the worlds forefront.The Wandering Earth II
4、 mainly tells the story of human beings building planetary (行星的) engines on the surfaces of Earth and the moon, in order to cope with the rapid expansion of the sun. This film explores the themes of sacrifice, survival, and the indomitable human spirit in the face of seemingly insurmountable(无法克服的)
5、obstacles. What makes the series special is its heroic protagonists(主人公). Unlike the elites who save the world in most Western superhero films, The Wandering Earth II focuses on a group of ordinary people with different nationalities and backgrounds who make sacrifices to protect their home. They al
6、so illustrates the spirit of unity that flows through the blood of Chinese people and can be shared with the rest of the world.Liu Cixin, Chinas famous sci-fi writer and Hugo Award winner, wrote on his Sina Weibo page: “The creators of The Wandering Earth II are very similar to their characters in t
7、he movie, taking great courage and innovative spirit as the engine to push the planet of sci-fi movies into the future. We know that there is still a long way to go for Chinas science fiction, but fortunately, there is a group of people who will never stop pushing forward.”1. What does the underline
8、 word “wowed” in paragraph 1 mean?A. amazedB. confusedC. indicatedD. attracted2. Which of the following is true about The Wandering Earth II?A. The Wandering Earth II was released on Jan. 22, the fourth day of Chinese New Year.B. The process of shooting The Wandering Earth II went smoothly.C. The Wa
9、ndering Earth II was regarded as a success in Chinas sci-fi film market.D. The Wandering Earth II is about the mission to explore new world and civilizations.3. Which of the following can best describe the characters in the movie?A. creative and gratefulB. selfless and innovativeC. considerate and p
10、oliteD. honest and responsible4. What can we infer from Liu Cixins words?A. The creator took great courage to act as a character in his movie.B. Chinas science fiction movie industry faces a big challenge.C. Peoples participation in making Chinas sci-fi movie has boosted his confidence.D. The figure
11、s in The Wandering Earth II are determined to push the planet forward.BEverything Everywhere All At Once star Michelle Yeoh recently made history by becoming the first Asian woman to win “Best Actress” at the Academy Awards. She won the award for her role as Evelyn Quan Wang, a middle-aged laundry o
12、wner and Chinese-American immigrant who discovers multiple versions of herself in parallel universes. In Evelyns attempts to save the multiverse(多元宇宙) from destruction, the film takes a mind-bending trip through different types, mixing absurdist humour with heartfelt explorations of human connection
13、. However, before Yeoh landed the role, she was not a big name in Hollywood. In fact, many critics have incorrectly described her performance in Everything Everywhere All At Once as her breakthrough, despite she beginning her acting career in the 1980s. Although Yeoh did find mainstream success upon
14、 starring in Crouching Tiger, Hidden Dragon, her role in EEAAO has truly given the actor the fame she finally deserves. Before Yeoh made it to Hollywood, she appeared in many Hong Kong action movies, performing most of the stunts (特技) by herself, even though she had never been formally trained to do
15、 so. Her first role came in 1984 with The Owl vs Bombo. However, her leading role in 1985s Yes, Madam saw Yeoh become a star of Chinese cinema. It was the 21st-highest-income film of the year in Hong Kong, and Yeohs performance, particularly the fight scenes, was praised. However, Yeoh has actively
16、spoken out against Hollywoods lack of accessibility for women of colour, also pointing out her inability to find roles as she has grown older. Thus, over the decades, it was really hard for Yeoh to gain success in Hollywood, although her recent Oscar win is sure to finally send her to even greater,
17、well-deserved heights.5. What can we learn about the film Everything Everywhere All At Once?A. It features self-exploration.B. All the actors have been awarded in Oscar.C. It has become the annual best-seller around the world.D. It is about a common peoples road to become an Oscar winner.6. What do
18、the underlined words “a big name” mean in paragraph 2?A. A trouble maker.B. A black sheep.C. A social butterfly.D. A major player.7. What can we say about Michelle Yeoh as an actress?A. She lacks experience in martial arts.B. She has never gained success in Hollywood.C. She has put great efforts int
19、o her own stunts.D. She prefers to play Chinese characters in her life.8. Why was it hard for Michelle Yeoh to succeed in Hollywood?A. The characters in Hollywood are hard to play as she grows older.B. The market of martial arts films in Hollywood is getting weak.C. She is faced with inequality of c
20、olour and age in Hollywood.D. Hollywood dislikes actresses with an outspoken character.CIn the countryside in Fuzhou, Fujian, there is a girl, her little brother, their grandma and a cat named Hua Juan. In the eyes of Hua Juan, the grandma treats the boy and the girl very differently she saves milk
21、for the boy and feeds him as if he were a baby, not paying much attention to the girl. One day, Hua Juan falls asleep and starts to have a dream. Everything begins to change.This is the story told in the short film Im Hua Juan, which explores a heavy topic -the traditional preference for sons over d
22、aughters. The film helped 18-year- old Zhu Manlin win the best director award at the 2021 International Teen Short Film Festival. The competition aims to encourage middle school students internationally to look at the world around them through images and pay attention to their position within it. Zh
23、u, a student at Fuzhou Senior High School, said she got the idea of the film from stories she heard. “Gender (性别) preference is still a common thing. Three out of the five members of our filming team have such families with older sisters and younger brothers,” said Zhu. “Many people may take it for
24、granted, but not for a cat. I tell the story from the viewpoint of a cat to encourage the audience to take another look at reality.”As the director and photographer, Zhu together with her teammates spent about two months writing the script (剧本), shooting the video and editing. She used several key s
25、cenes to show the grandmas preference for the boy: more meat in his bowl, gentler words and interesting toys, while the girl is ignored and accompanied only by Hua Juan. The strong comparison can help viewers better emotionally connect with the girl and reflect on the unfavorable situation of other
26、girls in the same situation. Zhu also set a scene in which the girl looks through the crack of a door and sees a part from the film Sister, which describes An Ran, a girl who struggles to pursue her own dream while having to raise her younger brother after their parents died in a car crash. “I want
27、fewer girls to have to bear such burdens as An Ran and instead bravely fight for their own rights,” said Zhu. While the theme is realistic, the visuals are artistic. In the film, real life is in black and white while dreams are colorful. Zhu also shot the film in a square format to give it an unusua
28、l feeling as well as a sense of seriousness. She wants viewers to focus on the main story, using close-up shots to resonate with the emotions of the young actors while ignoring other unimportant factors. Zhu said her favorite director is Lee Chang-dong from South Korea, who cares about reality but a
29、lso stays poetic. “I wish I could make such films one day,” she said.9. What can be known about the film Im Hua Juan?A. It has a theme of gender preference.B. It is adapted from a novel of the same name.C. It took the team about half a year to make it.D. It is based on the directors personal experie
30、nce.10. Why is the story told through a cats eyes?A. To make the story more attractive.B. To explain what role pets play in our life.C. To get people to look at things in a different way.D. To connect the story better with a younger audience.11. What is paragraph 4 mainly about?A. The problems Zhu h
31、ad shooting the film.B. The way Zhu directed and made the film.C. The inspiration Zhu got from the film Sister.D. The similarity between Zhus film and the film Sister.12. How does Zhu attract viewers to the main story?A. By focusing on social reality.B. By using close-up shots in the film.C. By shoo
32、ting the film in black and white.D. By expressing emotions in a poetic way.DOpera and cinema have much in common: as a matter of fact, they use music, theater, dance and other art forms at once. Cross-referencing and inspiration for each other have led to several interesting experiments.Cinema, conn
33、ected with opera, is very attractive for a long time. Opera has been used both as a setting and as a subject for cinema. From comic films to action films, opera scenes appear in a variety of genres(体裁). Whatever the film, scenes set in or around the opera tend to represent the most exciting moment i
34、n the plot.Cinema is also capable of mixing the visual elements of the opera: cameras can catch facial expressions from close or far, special visual effects can be added digitally, and montage (蒙太奇) can change the meaning of a scene. Far from replacing the operatic experience, opera-based films prov
35、ide a different, complementary take on operas: they become a genre of its own, which has been called the “opera-film”.Adaptation of films into operas is quite a new development of the operatic world. It is, however, a quickly growing genre: more and more film-based operas are being produced. In the
36、same way popular novels were chosen in the 19th century as plots for operas, nowadays composers turn to popular or relevant screenplays to attract the audience.In the future, cinema and opera are highly likely to become more and more closely connected. While opera is fighting for relevance in the 21
37、st century with new music produced, and cinema is slowly losing its leading role to high-quality on-demand TV, the two media can work together to give rise to new forms of art, combining their advantages to create something that can become larger than the sum of their parts.13. What can be learned a
38、bout opera-based films?A. It represents a new genre of films.B. It focuses on visual experiences.C. It has unique settings and subjects.D. It appears in a variety of genres.14. What makes it likely for a film to be adapted into an opera?A. Its characters.B. Its setting.C. Its subject.D. Its populari
39、ty.15. What can be inferred about cinema and opera from the last paragraph?A. The two should develop their own advantages in their ways.B. The two should cooperate to make something new and bigger.C. Cinema should take the lead in producing high-quality products.D. Opera should work harder to become
40、 a new way of art in the 21st century.16. What is the text mainly about?A. The replacement of opera by cinema.B. The advantages of cinema over opera.C. The interaction between cinema and opera.D. The similarities between cinema and opera.EScreenwriting Camp for TeensAt New York Film Academys 4-week
41、screenwriting camp for teens, students learn how to write their own screenplays.This hands-on camp is structured to benefit students of any experience level. Students spend an average of 24 hours per week in class, and 8 to 16 hours per week in writing labs. In all locations, students have the oppor
42、tunity to write and shoot a group project. Students are required to do a significant amount of writing in the evenings and on weekends to complete the written assignments of this camp.Screenwriting Summer Camp ClassesTo get a sense of what students will learn in the screenwriting camp, here are some
43、 screenwriting courses they will take. Story Generation: This is a first-week class in which students present a variety of film ideas and choose one to write for the rest of the course. Screenplay Analysis: This class looks at the complexities of feature-length screenwriting. Film Craft(技术) : In thi
44、s course students learn about the elements of the feature film. Production Workshop: Students expand their understanding of the visual components of a screen story by shooting their own short scene.Camp InformationClasses are held at the Film Academys New York City (NYC), Los Angeles(LA), and South
45、Beach campuses.Tuition Fees: $4,525Start Dates for Our Locations: Jun 25, 2023-Jul 22, 2023If you need assistance, please contact us immediately at summerprogramsnyfa.edu or call us at 212-674-4300 (NYC), 818-333-3558(LA), or 305-534-6009(South Beach) so we can assist you. For more information about
46、 all other camp locations, please contact 212-966-3488.17. What will students do in the 4-week camp?A. Study in class for about 48 hours.B. Do their homework in writing labs.C. Learn to write for 16 hours on weekends.D. Get some experience of screenwriting.18. Which course allows students to learn a
47、bout the feature film?A. Film Craft.B. Story Generation.C. Screenplay Analysis.D. Production Workshop.19. Which number should you call if you want to learn more about the NYC camp?A. 212-674-4300.B. 818-333-3558.C. 305-534-6009.D. 212-966-3488.FNational Geographic Explorer Malaika Vaz knew from earl
48、y on that she was destined for adventure. “I was someone who spent a lot of time outdoors,” Vaz says. Among her childhood experiences, she recalls expeditions to the Arctic and Antarctic, climbing mountains, scuba diving, and windsurfing.“In my late teens,” Vaz says, “I began to feel like adventure
49、didnt really mean anything if there wasnt an intent to protect the natural spaces we were exploring in.” She began to seek an outlet that would both satisfy her desire for adventure and allow her to support the protection of the species and ecosystems. Vaz had an interest in the medium of film, and
50、decided to pursue a career in wildlife filmmaking. Today Vaz wears many hats in the filmmaking world, as a documentary director, producer, writer, and presenter. After falling in love with mantas off the coast of her home, she discovered they were being hunted illegally and she dressed herself as a
51、seafood trader to get as close as possible to the issue. She traced traffickers back to many parts of the world to figure out why mantas were being killed. She shares the challenges of going undercover to produce Peng Yu Sai, her Green Oscar-nominated film on the matter. The subjects that grab her a
52、ttention, Vaz admits, cover a wide range. And while shes been asked to define her focus, she prefers variety, and argues that issues she pinpoints are more interrelated than they may appear. Her work doesnt stop at recording important stories-shes also on top of follow-through, ensuring the message
53、is heard. Vaz and her team work with scientists and policy makers to amplify the message of the films they work on. From Vazs perspective, real improvement in the way the planet is cared for lies in the capable hands of many from various backgrounds. “The truth is that we dont need ten really passio
54、nate, committed environmentalists. We need one hundred or one million people who can do a little bit in that field and change things within their ability.”20. Which of the following helped Vaz combine adventure with nature protection?A. Wildlife film-making.B. Free lifestyle.C. Childhood experience.
55、D. Outdoor activities.21. What does the film Peng Yu Sai mention?A. Vazs home on the coast.B. Vazs experience of mountain climbing.C. The history of Green Oscar.D. The illegal hunting of mantas.22. What really matters in protecting our planet according to Vaz?A. The backgrounds of policy makers.B. T
56、he influence of films.C. The guidance from environmentalists.D. The combined efforts of people.23. Which of the following best describes Vaz?A. Enthusiastic but careless.B. Adventurous and insightful.C. Knowledgeable but proud.D. Humorous and patient.GAward-winning author Judy Blumes novel Are You T
57、here God? Its Me, Margaret, a book about the challenges of growing up and figuring out who you are, has been popular for more than 50 years. For the first time, it has been turned into a film, which arrives in movie theatres on April 28.The story in the book and the movie is set in the 1970s. It is
58、told from the perspective (视角) of 11-year-old Margaret Simon, a sixth grader faced with going to a new school, making new friends, family drama, and most notably, puberty(when a childs body becomes an adult body). She is also trying to figure out her own religious beliefs. In private, Margaret addre
59、sses God with questions about her life. The novel has been a bestseller for decades, but it is also one of the most forbidden books in the US. Some people think the books coverage of puberty is not age-appropriate. Another concern is about the way Christianity is described. The films writer-director
60、 Kelly Fremon Craig, a longtime fan of the story, told The Week Junior that the movie is faithful to the book. Margret is played by Abby Ryder Fortson, who was about the same age as her character during filming. She told The Week Junior she first read the novel when she was auditioning (试镜) for the
61、movie. Afterward, she recalled, “I said to my dad, How did someone write a book about this experience and make it so honest and so true? I loved the book so much.”Craig wants the film to make audiences laugh and for them to see themselves in Margaret and her friends. “Theres something about watching
62、 someone else do the embarrassing things that you do thats really funnyalso a great relief that youre not the only one,”she said.24. What is true about Are You There God? Its Me, Margaret ?A. The movie is extremely popular.B. It was written by Margaret.C. It was turned into a film 50 years ago.D. It
63、 is about problems in the process of growth.25. What has caused an argument among readers of the book?A. Margarets religious beliefs.B. How Margaret deals with her problems.C. The description of puberty.D. The cover of the book.26. How does the writer illustrate “the movie is faithful to the book”?A
64、. By giving an example.B. By making a comparison.C. By giving a definition.D. By showing its effect.27. Whats Graigs purpose in making this film?A. To bring Margaret to life.B. To learn from Margaret.C. To embarrass the audience.D. To amuse the audience.HWhen Malaika Vaz was a kid, living in Goa, In
65、dia, she was constantly surrounded by nature. Among her childhood experiences, she recalls journeys to the Arctic and Antarctic, climbing mountains, diving, and windsurfing.At some point in her late teens, Vaz realized adventure didnt really mean anything if there wasnt an intention to protect the n
66、atural spaces we were exploring in. Motivated by her passion for filmmaking, she began to seek a way that would both satisfy her appetite for adventure and allow her to advocate the protection of the species and ecosystems she interacted with.Today Vaz wears many hats in the filmmaking world, as a d
67、ocumentary director, producer, and presenter. After falling in love with manta rays (蝠鲼), she discovered they were being hunted illegally and started to dress herself as a seafood trader to get as close as possible to the issue. She traced sellers to figure out why the threatened species were being
68、killed. She shared the shocking details in Peng Yu Sai, her Green Oscar-nominated film on the matter.The subjects that grab her attention, Vaz admits, run the gamut. When she was asked to define her focus, she replied that she preferred variety. She always argues that the issues she looks into are m
69、ore interrelated than they may initially appear. “I think that its exciting to dive into the different aspects of environmental stories,” she says.Her work doesnt stop at recording important stories; she also ensures the message is heard. From Vazs viewpoint, real improvement in planetary protection
70、 lies in the hands of each of us rather than just those of several environmentalists. “If youre an engineer and you care about the natural world, you can change the kind of construction materials you use. If youre a teacher loving nature, you can bring that into the learning for your class.” she say
71、s.As a filmmaker, Vaz believes its important to figure out ways that attract the audience who can push for the protection of the natural world.28. What did Malaika Vaz decide to do in her late teens?A. Motivate children to get close to nature.B. Make a film about her childhood experiences.C. Develop
72、 a passion for an adventurous lifestyle.D. Combine nature exploration with nature conservation.29. What is the film Peng Yu Sai mainly about?A. The role of manta rays in the local economy.B. Vazs personal life as a seafood trader.C. The threatened species in India.D. The illegal trade in manta rays.
73、30. What does the underlined part “run the gamut” in Paragraph 4 probably mean?A. Are quite popular.B. Cover a wide range.C. Make little progress.D. Are hard to deal with.31. What message does the author convey in Paragraph 5?A. Human beings are closely linked to nature.B. Stories are effective in c
74、hanging peoples behavior.C. Everyone can make a difference to the environment.D. Environmentalists play a big part in solving environmental issues.IThe current Broadway season is getting a surprise ending: Oscar Isaac and Rachel Brosnahan will bring to Americas most visible theater district a long-o
75、verlooked Lorraine Hansberry play, The Sign in Sidney Brusteins Window.The two stars led a production of the play at the BAM (Brooklyn Academy of Music) that closed on March 24. Now they plan an unexpected and unusually quick move to Manhattan: The show will start previews April 25 and open on April
76、 27, the final date on which plays and musicals can open and still be qualified for this years Tony Awards.“The speed with which these producers are acting is completely admirable,” said the director Anne Kauffman. She first encountered the play as an undergraduate. “It just feels like its beyond my
77、 wildest dreams, because Ive been thinking about the play for so many years.”The Sign in Sidney Brusteins Window, which followed the enormous success of A Raisin in the Sun, is about a couple living in Greenwich Village in the 1960s and facing challenges to both their marriage and their political id
78、eals. Hansberry, died in 1965, just two days after the original “Brustein” production closed on Broadway, and the play has long been overshadowed by “Raisin”.The revival received mixed reviews. No matter: Audiences flocked (蜂拥) to BAM, where the seven-week run, in the 836-seat Harvey Theater, was 98
79、 percent sold out, according to BAMs departing artistic director David Binder.The Broadway transfer was made possible by the sudden failure of another show, Room, which was scheduled to open this month, but fell apart for lack of necessary costs. The Hansberry play will be staged at the James Earl J
80、ones Theater and the Broadway run is scheduled to last just 10 weeks.32. What do we know about The Sign in Sidney Brusteins Window?A. It will be staged at the BAM.B. It will be directed by Oscar Isaac.C. It will be on at the end of April.D. It will lead the Broadway season.33. How does Kauffman feel
81、 about the production of the play?A. Thrilled.B. Anxious.C. Encouraged.D. Unconcerned.34. Why was the Broadway transfer possible?A. Necessary costs were lacked.B. Another scheduled show failed.C. The play received mixed reviews.D. Audiences flocked to the theater.35. In which section of a newspaper
82、may this text appear?A. Arts.B. People.C. Business.D. Opinion.JWhat benefits can you have from a film? A well-made film offers a whole world of things to watch. First there are the story aspects the plot, characters, dialogue and themes. Then there are the technical aspects the camera work, cuttings
83、 and special effects. And there are many other things, like the credits, musical score and the acting. A well-made film offers much more than you see in one viewing (观看).Films are a means of communication. They can tell you things, just as newspapers do, or television, or any other means of communic
84、ation. Sometimes they communicate important things to you, like ideas or lifestyles or ways of looking at the world. Sometimes people are aware of this, and sometimes not. The more you are aware of this, the better you are.Notice, for example, the way films sometimes affect fashion. A star dresses o
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2019届人教A版数学必修二同步课后篇巩固探究:2-1-1 平面 WORD版含解析.docx
