上海外国语大学附属外国语学校2016届高三排位考(艺术人文类阅读)英语试题 WORD版含解析.doc
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1、高考资源网() 您身边的高考专家Passage 1(Art)Self-Portrait with Straw Hat (1887), a van Gogh self-portrait done in Paris, is one of his most intriguing yet most neglected works. The artists gloomy eyes stare out from his face in half-profile, facing to the left, and the world-weary expression initially appears to
2、support the view of critics such as James Risser, who explains van Goghs self-portraits as a sustained search for identity.Self-Portrait with Straw Hat (1887) initially appears to comply with Rissers evaluation. In this work, the painter depicted himself wearing a jumper of intense blue before a bac
3、kground done almost entirely in gray but with noticeable blurs of bluemost notably in the top right corner. Overall the painting appears to be unfinished, a hastily done portrait that the painter abandoned to create more lasting works.In its incomplete state we can precisely read “an unfinished life
4、,” and in the wild strokes of casual blue in the background and splashed across the artists garments we are instantly confronted with the sense of growing “more and more out of control.” But is this an accurate evaluation? On the one hand, Risser seems to have legitimate cause for envisioning van Go
5、ghs self-portrait as psychological self-analysis, a painting that “reveals an emotional intensity hiding beneath the surface”. But is the chaotic surface effect of the blue in this painting actually a form of self-criticism, the artists own intense and emotional despair over his loss of controlor is
6、 it representative of an underlying aesthetic whose focus is not the painter himself? An intriguing alternative exists: van Gogh may not have painted the self-portraits as psychoanalytical evaluations of himself, but instead merely as experiments in technique. The artist often stated that he painted
7、 himself only because he lacked other models, a view found in the critical work of both Richard Kendall and T.J. Shackelford. Perhaps, then, van Gogh was not trying to learn about himself but about art as a whole while painting these portraits and hence we ought to read the self-portraits as a serie
8、s of statements about art itself. The key to this analysis may be a careful exploration of the special color symbolism van Gogh attached to the color blue. Unlike our everyday association of blue with melancholy or boredom, the artist imagined blue as a symbol for the infinite or the limitless. Such
9、 a view calls into question the idea that self-portraits such as van Goghs Self-Portrait with Straw Hat (1887) were a psychological profile of the artists melancholy or despair. Instead, when we consider blues special symbolic role as the infinite in van Goghs Paris self-portraits, we discover a new
10、 narrative describing the painters own aesthetic: his insistence that the future of art lay in expressive rather than realistic methods.1. What does James Risser think of van Goghs self-portraits?A. Different self-portraits represent van Goghs different attitude towards life.B. Many of his self-port
11、raits have been neglected by critics.C. Van Gogh sought for identity through all his self-portraits.D. Van Gogh expressed his weariness of the world in most of his self-portraits.2. Which description is mentioned in the second paragraph about van Goghs Self-portrait with a Straw Hat?A. The painting
12、is not well done.B. The painting mainly used gray.C. The painter used blue but erased it later.D. The portrait showed a depressed emotion.3. Who felt that the self-portrait showed “an unfinished life”?A. Van Gogh himself.B. Rissers opponents.C. The author.D. James Risser.4. According to Richard Kend
13、all and T.J. Shackelford, the Self-portrait with a Straw Hat may not have anything to do with _.A. van Goghs painting techniqueB. the symbolism of colorC. the psychological analysis of the painterD. the painters aesthetic5. According to van Gogh himself, his self-portraits were intended to be _.A. n
14、arrativeB. expressiveC. analyticD. artisticPassage 2 (British customs and culture.)Scottish customs and traditions cover a very wide range of topics. Everything from kilts to golf, bagpipes to whisky, Celtic crosses to Protestant missionary work, the second sight to Nessie.The history of the bagpipe
15、s takes us a long way back from today and far away from Scotland. Everyone thinks about Scotland when they hear the word “bagpipe”, but this instrument is so old that true age and origin are unknown. In some historical documents it is written that the pipes were first played somewhere around Asia Mi
16、nor in 1000 BC. Also, it is said, by some, that Emperor Nero played the Pipes not the fiddle, while Rome burned. Some form of bagpipes are used in many European countries but in Scotland they have become an integral part of the countrys culture. Scotland is the ancestral home of the Great Highland B
17、agpipes known to all as the Great Pipes.A Pipe band is one thing that every visitor of Scotland wants to see. These are groups of men (in modern times it can be both men and women); each group has matching skirts, fancy jackets and strange little hats. They march around squeezing the air out of big
18、tartan bags (known as bagpipes) and blowing it in again through a pipe attached to the bag. This results in a racket known as the skirl o the pipes which is almost indistinguishable from the noise made by the haggis during the mating season. These pipe bands often turn out to be Australians, not Sco
19、ts at all!The tartan kilt has long been the most recognizable cultural tradition of the Highland Scots, but just like the other symbols, kilts have also an unknown origin. One sure fact is that the wearing of the kilt has been developed in the 19th century during the reign of Queen Victoria. It had
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